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Post in 2022-11-20 16:48:39 | Show all floors |read mode
The confusion that every technological revolution generates its denial is futile futile and usually misguided. Resistance to technological progress may have more general emotional or philosophical grounds but these hardly stand up to the criticism of practical arguments. Perhaps hand washing and scrubbing ensured slightly whiter whites but cleanliness and freed housewives to a great extent. The constant reference to the for the time being qualitative superiority of analog photography is reminiscent of the disdainful treatment of the small format by the proponents of the studio camera. And finally the small format completely prevailed despite its undoubted technical disadvantage.

The nostalgic preoccupations even today with the preparation of chemicals and papers by the photographers themselves as the pioneers of photography did. Of course good photography which we all admire and envy e-commerce photo editing owes nothing to these nostalgic or perfectionist obsessions. Digital photography the product of an almost uncontrollable and rather inevitable technological evolution is here to stay. And its good without a doubt outweighs its bad. However as with all developments we must not lose sight of our goal and allow the means to replace it. The content of a photographer's artistic journey as well as the photographic process he adopts consists of a series of choices.



As much as technology facilitates his work it multiplies the range and consequently the importance of options. Technology may free the photographer's hands but it requires more mental fatigueOne of the bitternesses of a teacher who deals with art is to see his good students students with increased abilities of perception and creation take paths in their development contrary to everything that their abilities predicted. If these paths concern different artistic directions or aesthetic views then this change can only cause pleasure since it will be both legitimate and desirable. But usually it is a difference of moral direction and goals. And one should not overlook that these two are always constituent elements of the core of every artistic work.

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